Another Layer of All Powerful

[setsuled]

Last night brought the best premiere of an MCU series on Disney+ and the lion's share of the credit goes to Tom Hiddleston. The writing and direction on Loki aren't really bad but far from perfect. Michael Waldron is head writer on a series for the first time in a career in which his biggest previous credit was one episode of Rick and Morty. Now not only is he in charge of this show he's written the screenplay for the upcoming Doctor Strange movie and he's working on Kevin Feige's Star Wars movie. The people at Disney, for whatever mysterious reasons, really seem to like this guy.



I loved last night's premiere of Loki but the writing was decidedly uneven. Loki (Hiddlestone) is apprehended by the Time Variance Authority, which seems to be a sort of all powerful DMV presiding over the multiverse. Loki has gone from a frustrated attempt at becoming supreme god of the Earth and Asgard to being a regular schlub in a jumpsuit under the thumb of bored, slightly braindead office workers. Somehow, the God of Mischief has never heard of the TVA. It would have been nice if Waldron had given him some knowledge of it, especially since we see the TVA agents are pretty fallible. Considering they preside over all space and time, it seems like they should have left some evidence of their presence here and there in some way or another.

Loki is stripped of his clothes and forced along his path by cattle prods but it's only when he's finally before the judge (Gugu Mbatha-Raw) does it occur to him to try to use his powers. All of this does feel like it comes from someone more accustomed to writing cartoons than something that's supposed to be at least halfway dramatic--the focus is more on getting gags than on making sense.



Things improve considerably, though, when Loki sits down with Mobius, a TVA agent played by Owen Wilson. The two have enough acting chops between them to make the show captivating but Waldron's writing starts to get more interesting as he sets up the show's themes of free will and predestination. Loki himself had already been talking about his "glorious purpose", which sounds nice and all, until you consider it might mean he's stuck in the role of villain. Will the TVA be his chance to break out of this path the universe has written for him?



This is a very old story, one that goes at least as far back as 1667 and Milton's Paradise Lost in which Satan said of God's plan for him:

If then his providence
Out of our evil seek to bring forth good,
Our labour must be to pervert that end,
And out of good still to find means of evil

This gave rise to the whole archetype of the Satanic Hero which saw a new manifestation in the late '60s and '70s with stories about traditionally villainous characters from a new, more complicated perspective. There's always going to be plenty to mine from this premise because any of us who've contemplated ourselves and the universe have always had some anxiety about our own worth and ability to do anything meaningful with our lives.

Hiddleston draws us in with a performance filled with bitterness yet still with a kind of vulnerable agony. One is reminded that his character in Kenneth Branagh's Thor was originally meant to be a version of Edmund from King Lear. There's a lot of potential here and I'm looking forward to next week.

Loki is available on Disney+.

Comments

[shadowkat]

Michael Waldron is head writer on a series for the first time in a career in which his biggest previous credit was one episode of Rick and Morty. Now not only is he in charge of this show he's written the screenplay for the upcoming Doctor Strange movie and he's working on Kevin Feige's Star Wars movie. The people at Disney, for whatever mysterious reasons, really seem to like this guy.

LOL!

That must have been one heck of a Rick & Morty episode.

[lynnenne]

I loved it. Loved the cartoon clock explaining the TVA, and the 60s style animation - I’m pretty sure Betty Rubble was one of the characters. Love the mix of technologies from different eras: manual typewriters, dot matrix printers, and hotel bells next to holographic projectors and time collars. LOVED the conversations about destiny and free will, which is a perfect theme for Loki. Huddleston was perfect, especially seeing his own future and his parents’. And Owen Wilson was terrific.

[setsuled]

Yeah, I forgot I really wanted to highlight the scene where Loki sees his future. Tom Hiddleston's reaction shots when he sees his death--and his expressions pass from outrage to absolute existential terror--are amazing.

The production design is nice, it strongly reminded me of Brazil but with tighter colour coordination.

[oracne]

I loved that scene so much. "My Acting - let me show you it!!!"

[firecat]

Any day when I get to see five minutes' worth of Hiddleston acting silently with only his face is a goooood day.

[meteordust]

When Mobius made Loki watch the scenes from his past, I was a bit impatient with this lengthy exposition. But when Loki went ahead and watched the scenes from his future - wow, that was one hell of an emotional payoff.

[oracne]

The cartoon documentary was pitch-perfect.

[lynnenne]

HIDDLESTON, not Huddleston. Stupid auto correct.

[yourlibrarian]

I suspect that Mobius' discussion with him about how Loki inevitably makes the same bad decisions he claims everyone does with freedom, means the series will leave us in a very different place by the end.